moebius

Monday, October 24, 2005

Gas, Food and Therapy on the American Road

Writing as eloquently as ever in The NY Times, A.O. Scott relates America's love affair with the automobile. But he believes that the relationship is frequently a "three-way romance involving a movie camera".

He writes, "this ménage has spawned a vast filmography of buddy pictures, getaway pictures, existential wandering pictures and innumerable hybrids - from Thelma and Louise and Rain Man back to Sullivan's Travels by ways of Harry and Tonto and Easy Rider, to name only a few.

"If nothing else, these movies serve to remind us that we inhabit an endlessly photogenic nation. But they also acknowledge the anxious distance that the film industry perceives between itself and the rest of the country. The movie road trip is at once an acknowledgment of the artificiality of movies and an imaginary antidote to it. After indulging the pretense that a studio back-lot set or a street in Vancouver is really downtown Chicago, how satisfying it is to be treated to views of Monument Valley or the Mississippi Delta, whose specificities of terrain and custom make them impossible to counterfeit. "

Driving long distances across the US, one can easily say that much of the exurban areas are a vast empty void. But it is a void filled with the beauty that encapsulates the pioneering spirit of the frontiers, the wonders of mother nature and the mystical terrain of unheard voices and untold stories.

I, for one, have a big appetite for the outdoors and open space, not to mention the scarcity of people in such environments. I remember driving across Nevada and Utah by myself, surrounded by nothing but mountains; my car nestled in the quiets of an unpopulated valley. What strikes me the most is the abject isolation but, and through the latter, also the promise of anonymity, adventure and anarchy.

It feels as if I am the most human at such moments, when there is no modern technology (except my car and cellphone) to separate me from nature. It is the lack of other humans that allows me to be more of myself, if that makes sense. The physical reminder of my insignificance in the grand scheme of things actually empowers me to be more noble and less self-centred.

My love of the empty void easily translates onto the big screen. Some of my favorite movies of the great outback of the USA include:

Once Upon a Time in the West (1968),
The Last Picture Show - of small-town America (1971),
Paper Moon (1973),
Dead Man (1995) and even
Winged Migration (2004).

Do you have any movies to contribute to the list?

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Thursday, October 20, 2005

Who says LTA and SMRT are the same agency?

Wednesday, October 19, 2005

USC # 1 in BCS Ranking



Go trojans! In the first BCS ranking this season, the USC football team comes out at number 1. This is also the same position it received during the preseason ranking. This latest ranking comes right after the Notre Dame game which ended in a excruciatingly close 34-31, and described by some as one of the best in college football history. USC is now 6-0 with 7 weeks to go and a possible third straight national championship title.

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Tuesday, October 18, 2005

Film Review: Playtime (1967)

Jacques Tati's masterpiece took years to film and even required the construction of massive sets the size of full-scaled buildings. Much of the set becomes the wonderful playground to Tati's version of the modern man and the backdrop to his criticism of modernist architecture and modern society itself.

From the very beginning, with the very first shot of a drab steel skyscraper and then the unfolding of a morning in the quintessential non-space - the airport, Tati presents a world of clinical precision, tidy spaces and the blind pursuit for innovation and modernization.

In the film, a man pays a business visit to one of the anonymous steel buildings. He easily gets lost in the maze of identical office cubicles, extremely clean windows and suited working men. He, with the practical sensibility and emotional accountrements, becomes the foil to the joke that is urban Paris.

In Tati's creation, daily items such as chairs become comical props for the modern man. New innovations are marvelled and sold effortlessly, regardless of their usefulness. Modern communication becomes gibberish. American tourists become the instrument for purpose-less cultural exchange. And in the madcap restaurant scene, Parisians misguided love for fun clashes dramatically with that of efficient, organized society.

Indeed, Paris in the middle of the last century was the birthplace of modernist thinking. Le Corbusier gave birth to the concrete monoliths that were euphemized and copied all around the world. Cultural landmarks such as the Eiffel Tower are sidelined by the drive towards speed, futurism and modernity. Sleek lines, reflective surfaces and machine cogs, as beautiful captured in the mise-en-scene, are heralded as icons of progress and modernization. In the last sequence, where the tour bus becomes trapped in the roundabout, human bodies are effectively plugged into the cogs of modern society.

The beauty of Tati's Playtime is the simplicity of the story and the complexity of the film text. Tati needed no dialogue to tell his story of man's succumbing to the lure of modern living. Long takes and playful framing elicits effectively the drama of a tightly choreographed urban space vis a vis the real world choreography of modern urban life. It is a film that is filled with context and symbolism. It is firmly attuned to its time and space in human history.

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Monday, October 17, 2005

BYO at MacDonalds

I saw a lady bring her own bottle of chilli sauce to MacDonalds the other day. It was rather offbeat and amusing. I wonder if she brings it everywhere she goes... the hawker center, restaurants, mother-in-law's house, on the plane.

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Wednesday, October 12, 2005

Little India




I visited Serangoon Road, more commonly known as Little India, some 2 weeks ago. This is a place that I know very little about. It is a popular tourist landmark in Singapore, yet many locals seldom visit. And I happen to go on a Sunday, when it is the most crowded.

And it was really really crowded. Walking down Serangoon Road, I had to jostle for space with cars and other pedestrians. The crowd density is unmatched even to Orchard Road. The crowd looked like something from Chinatown during the Lunar New Year. But the fact is, this scene takes place every Sunday, where legions of foreign workers who are enjoying their off-days descend. This is perhaps where the temporary police station, with its panopticoned vantage point, comes in.

Not only was the crowd a sight to behold, the colors, sounds and smells are rather delightful too. Consisting of mainly old pre-war shophouses, Little India is thankfully spared the thick confectionary facade renovation seen in the conserved shophouses in Chinatown and Tanjong Pagar. And the stores that sell textiles, jewellery and girlie magazines add a splash of color and vibrancy to the area. The smells of freshly cut flowered garlands and the spices, and the aroma of food wafting out of the restaurants make it a full sensory experience. The temples in the area, when lit up at night, are also gorgeous.

Nowadays, any visit to Little India must include the customary patronage of Mustafa Centre. The first 24-hour departmental store in Singapore, Mustafa Centre seems to have everything one ever needs within its small floor space. Surprisingly, the crowd within the store is multi-ethnic. I can't help but grab some socks along the way too.

I realized that there are so many little corners around the island that I have yet to explore. It is always cool to start acting like a tourist again.

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Tuesday, October 11, 2005

Full Moon on Quiet Hill



I took this picture of the moon during last month's mid-autumn festival.

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Tuesday, October 04, 2005

ULI: Waterfront Development Conference

The conference, held at Raffles City, Singapore, offered numerous examples of cities around the world partaking in the rejuvenation of waterfront developments. Some quick common threads between these projects include...

i. public access is crucial
ii. connectivity - physical, visual, psychological (we never think of waterfront areas as discrete projects, but one continuous space)
iii. temporal continuity, through restoration, conservation. Preserving history of the place. physical continuity: connecting existing urban fabric with the waterfront
iv. authenticity: how does one differentiate their waterfronts from others
v. mixed-used developments that can generate human traffic
vi. the software: having events, activities, crowd-pullers. It is more than just architecture
vii. branding is important

ULI International Waterfront Development Conference

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